• Study of 16th and 17th century lacquered Luso-Asian artifacts – Uncovering complex dynamics of cross-cultrual exchange reflected in their heterogeneous composition.

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    Study of 16thand 17thcentury lacquered Luso-Asian artifacts –Uncovering complex dynamics of cross-cultural exchange reflected in their heterogeneous composition   Watch the Recording Here   Abstract Catholic European presence in 16thand 17thcentury Asia,under the patronage of the Portuguese Crown,linked varied ports of South, Southeast and East Asia via the Luso-Asian networks of maritime trading routes, commercial […]

  • The Conservation and Curation of African Sacred Objects. A Case study: Dinkho tsa Badimo (Ancestral ceramic vessels of the Basotho-Batswana of Southern Africa)

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    The Conservation and Curation of African Sacred Objects: Case study: Dinkho tsa Badimo (Ancestral ceramic vessels of the Basotho-Batswana of Southern Africa) Mabafokeng Hoeane(She/They) PhD candidate, Heritage Museums Studies, University of Pretoria, South Africa Watch the Recording Here Abstract Ceramic vessels for centuries have been used across the world by different cultures and groups for […]

  • The Conservation and Restoration of the Church of Kunotambo by its Community

    The Conservation and Restoration of the Church of Kuñotambo by its Community Register for the Talk Claudia Cancino   Claudia Cancino Architect | Architectural Conservator | MBA | MS Senior Project Specialist, Building and Sites department The Getty Conservation Institute     The community of Kuñotambo, a small village near Cusco, Peru has been a […]

  • Yup’ik masks at the Vatican; Indigenous American Heritage in European Museums

    Yup'ik masks at the Vatican; Indigenous American Heritage in European Museums Chuna McIntyre and Ellen Pearlstein Register for the Talk Collaborative practices that are increasingly expanding in the U.S., Canada, Australia and New Zealand are important to extend toEuropean museums holding these collections, i e., to create more global paradigms for collaborative conservation practice. As […]

  • Phidias Unbound: How Robot-Generated Replicas Could Solve the Parthenon Marbles Quandary

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    Phidias Unbound: How Robot-Generated Replicas Could Solve the Parthenon Marbles Quandary Roger Michel Executive Director, The Institute for Digital Archaeology. About the program:   The Parthenon Marbles, commonly known as the Elgin Marbles, were removed from the ancient Acropolis of Athens in 1801 by Lord Elgin, British ambassador to the Ottoman Empire. Carved by the sculptor […]

  • The conservation and restoration of the church of Kuñotambo by its community

    Claudio Cancino Senior Project Specialist, Getty Conservation Institute Register here The conservation and restoration of the church of Kuñotambo by its community Claudia Cancino Architect | Architectural Conservator | MBA | MS Senior Project Specialist, Building and Sites department The Getty Conservation Institute The community of Kuñotambo, a small village near Cusco, Peru has been […]

  • The Great Wall of Los Angeles by Judith F. Baca: Looking to the Past and Building the Future

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    A Conversation with Dr. Judith F. Baca on the creation, impact and conservation of the Great Wall of Los Angeles.  "Standing at the river’s edge, I saw the concreted arroyos as scars in the land. I dreamed of a “tattoo on the scar where the river once ran,” and an endless narrative that would recover […]

  • Teatime, What Every Conservator Needs to Know About the Complexity of Asian Lacquer?

    Marianne Webb Webb Conservation Services Register here Asian lacquer is one of those materials that most furniture and object conservators encounter occasionally during their career. Unfortunately, conservation efforts can go dramatically wrong when a sensitive lacquer surface is treated inappropriately. A lustrous black surface can instantaneously turn to a milky brown color. During the active history of an Asian lacquer […]

  • Conservation and Restoration Approaches at the Musical Instrument Museum

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    Rodrigo Correa-Salas Conservator Watch the Recording Here The structure, materials and acoustic properties of musical instruments are diverse and delicate. These characteristics will determine whether the instrument can be played (on special occasions) or just be displayed in the gallery. The basic knowledge of the different materials (and their combinations) with which they were built, how they were made, how they were played and on […]

  • Patricia McCarron McGinn Lecture by Professor Glenn Wharton

    Join the UCLA Art History Department for the annual Patricia McCarron McGinn Lecture featuring Professor Glenn Wharton with his lecture Why Conserve Cultural Heritage? Reframing a Discipline. This year's lecture will take place virtually on Monday, March 7 from 4 to 5:30 pm.  Please RSVP in advance to receive a Zoom link. Please CLICK HERE TO RSVP  About Dr. Wharton Glenn Wharton […]

  • Preserving the Wreck of an Intact 17th-century warship – the Challenging and Rewarding Conservation Work at the Vasa Museum

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    Malin Sahlstedt Conservator, Vasa Museum, Swedish National Maritime and Transport Museums Watch the Recording Here Since the raising of 17th-century warship Vasa in 1961 after333 years on the seabed of Stockholm harbour, two generations of preservation staff have had the task to safeguard this mighty piece of maritime cultural heritage for the future, a task perhaps […]

  • UCLA/Getty Program’s Distinguished Speaker Series featuring Sarah Sutton: Cultural Heritage and Climate Change

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    Speaker: Sarah Sutton Date: February 4, 2022. 11:00am Title: Cultural Heritage and Climate Change: D(d)iplomacy for Neighbors and Nations Cultural heritage has been undervalued as a community and national resource in addressing climate change. Historic landscapes are critical waterline buffers and biodiversity habitats. Structures are refuges and examples of resilient construction. Human-made objects and art […]

  • Regional Distinctions of Traditional Palestinian Embroidered Dress, 1850-1948

    Wafa Ghnaim Register here Embroidery in the Holy Land has existed for centuries, showcased in the decorated garments created andworn by Palestinian women for generations, as well as documented by the many international visitors who travelled to Palestine for pilgrimage or tourism. By the mid-nineteenth century, each region of historic Palestine had developed their own distinct […]

  • Embodied Knowledges within Cultural Collections

    Sven Haakanson Ph.D., Curator, Burke Museum Associate Professor in Anthropology at the University of Washington Register here Over the past three decades, in collaboration with my community from Kodiak, Alaska, I have researched museum collections from around the world to learn about and return the embodied knowledge of our cultural history. From masks, clothing, baskets to boats we have systematically taken knowledge that […]

  • Buddhist Wall Paintings in Ladakh – Painting Technique, Conservation and Ethical Considerations

    Sreekumar Menon Paintings Conservator, (Partner) Art Conservation Solutions Register here Wall paintings in Ladakh, the earliest specimens of which date from the eleventh century, mirror the development of Buddhism and Buddhist Art in the region.The materials and technique of these paintings,and their iconographic schemes, are complex and have transformed overtime. Many of these paintings have undergone damages due to various intrinsic and or extrinsic factors. Their conservation is […]

  • Benin Royal Art and Questions of Restitution

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    Dr. Ndubuisi Ezeluomba Françoise Billion Richardson Curator of African Art New Orleans Museum of Art Friday, November 12, 2021  at 11:00 a.m. PDT About the program: Dr. Ezeluoma will discuss the restitution of Benin cultural patrimony. In 1897, the British government acted on a request from the Royal Niger Company to remove the Benin Oba (king), who […]

  • Conservation & Revitalisation of Rajbagh Silk Factory, Srinagar, India – Connecting Memory & Material Culture Towards Building a Future.

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    Gurmeet S Rai Ms. Director, CRCI (India) Pvt Ltd Watch the Recording Here The Rajbagh Silk factory is a strand of the cultural legacy of Kashmir. Silk from Kashmir finds references in ancient, medieval and modern period narratives. In the 19th-20thC the bivoltine silk and crafts such as pashmina shawls from the valley were much […]

  • A Sankofa Moment: Heritage Conservation and Racial Justice at the George Floyd Global Memorial

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    UCLA/Getty Program's Distinguished Speaker Series Jeanelle Austin is co-founder and lead caretaker of the George Floyd Global Memorial, where she guides a team of volunteers to stand in the unique space of preservation and protest.  She is also the creator of Racial Agency Initiative, a racial justice leadership coaching company. She began tending to George […]

  • Virtual Pizza Talk: Human Remains in Tibetan Material Religion: Conservation as Research Methodology

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    Ayesha Fuentes Stride Lecturer in Arts Conservation Northumbria University Watch the Recording Here Ayesha Fuentes will discuss Tibetan and Himalayan religious use of ritual objects made with human skulls and femurs. Fuentes incorporates conservation methods, documentation, and interpretation of the material knowledge and techniques used to select, prepare, activate, maintain and exchange these objects. This […]

  • Comparing Conservation Between Countries

    Tessa de Alarcon, Grace Jan, Almoatz-bellah Elshahawi Friday May 21st, 11:00am - 12:30pm (PT) Register here Tessa de Alarcon How working in the US and Guatemala has Influenced the Way I Think About Conservation I will briefly discuss my experiences working in Guatemala as compared to working in the United States and reflect on how those experiences have impacted the […]

  • Spirituality and Diaspora: Considering Yoruba and Kongo Objects in Museums

    A conversation between Bárbaro Martínez-Ruiz and José Bedia, Moderated by Manuel Jordán May 18th, 10am - 11am PST Register here This program follows an exciting interdisciplinary seminar on African Objects in Museums, where students examined a series of objects including painted Yoruba drums and Kongo minkisi. To continue discussions, the Fowler Museum, the Cotsen Institute of […]

  • Authorship and Ownership, a Conversation Between Glenn Wharton and Artist Andrea Geyer

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    Glenn Wharton, Andrea Geyer Friday April 23rd, 11:00am - 12:00pm (PT)   UCLA/Getty Conservation Program Chair Glenn Wharton will interview artist Andrea Geyer about the conservation and display of 9 Scripts for a Nation at War, a work that was acquired by MoMA when Wharton served as the museum’s Media Conservator. Geyer is a German-born multi-disciplinary […]

  • Share the Mic: Decolonizing an African Museum

    Join museum professionals for a conversation about how conservation practices can serve as one of many strategies for decolonizing museums. RSVP on Eventbrite to receive the link. The Ethnographic Museum of Rwanda, financed by Belgium in the late 1980s as a symbol of cooperation with Rwanda, houses one of Africa’s most significant ethnographic collections. The […]

  • Conservation of In-Situ and Post-Excavation Glass

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    Stephen Koob Chief Conservator Emeritus of The Corning Museum of Glass Friday March 12th, 11:00am - 12:00pm (PT) Watch the Recording Here Archaeological glass encompasses glass that has been buried, either in the ground or in fresh or salt water. In some cases glass was intentionally buried as grave gifts and can be found in archaeological cemeteries or […]

  • Ancestors Speaking: Objects and Cultural Sovereignty in Native America

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    Gabrielle Tayac Associate Professor of Public History, George Mason University Former Curator at the Smithsonian National Museum of American Indian with opening remarks by Dr. Darnell Hunt Dean, UCLA Division of Social Sciences Professor of Sociology and African American Studies   About the lecture: A family of baskets. A library in a shell. A vow breathing […]