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DTSTART;TZID=America/Los_Angeles:20250516T110000
DTEND;TZID=America/Los_Angeles:20250516T120000
DTSTAMP:20260417T052710
CREATED:20250428T204223Z
LAST-MODIFIED:20250428T204223Z
UID:10000068-1747393200-1747396800@conservation.ucla.edu
SUMMARY:A handmade present: Weaving opportunities at the Museo Textil de Oaxaca
DESCRIPTION:Title: A handmade present: Weaving opportunities at the Museo Textil de Oaxaca\nEvent Date: Friday\, May 16\, 2025 at 11 a.m. (PT)\nEvent Location: Wherever your zoom-compatible device is located\nPresenter: Hector Manuel Meneses Lozano\nRSVP HERE\n\n\nDescription: Please join us for our Spring quarter Conservation Conversation “A handmade present – Weaving opportunities at the Museo Textil de Oaxaca with Hector Manuel Meneses Lozano”\n\n\n\nAbstract:  \nThe Museo Textil de Oaxaca (MTO) is a space that houses memories\, success stories and challenges. An initiative encouraged and supported by the Alfredo Harp Helú Oaxaca Foundation since 2007\, the MTO is committed to research\, conservation and exhibition of the textile collections it safeguards. With the same level of commitment\, the Museum encourages an open dialogue with the communities that have given rise to the textiles in these collections. The social force of the MTO springs forth from empathy and it has grown by weaving together an intimate network with weavers\, embroiderers\, dyers\, spinners and producers of raw materials\, such as fibres and dyestuffs. Modern industry has made us seek disposable clothing and mass consumption\, but in response\, the Museo Textil de Oaxaca is focused on appreciating and promoting the manual and intellectual effort involved in handmade textiles. This conversation will showcase a series of cases in which the MTO has been able to link its collections with contemporary creative communities\, not only to better understand our past\, but also to reimagine our present and reformulate our future. \n\n  \n\n\n\n\n\n\n\n\n\n\nAbout the Presenter: Hector Manuel Meneses Lozano\n\n\nHector Manuel Meneses Lozano graduated from the Escuela Nacional de Conservación\, Restauración y Museografía “Manuel del Castillo Negrete” in Mexico City\, his hometown. After studying a textile fragment from the late 17 th century\, he was invited to join the team of the soon-to-be Museo Textil de Oaxaca. Starting in 2008\, he worked as Conservator and Collections Manager and since 2012\, he has been Director of the Museum. His interests cover the design of exhibitions\, the creation of textiles\, intangible and material heritage\, as well as the involvement of spinners\, weavers\, embroiderers\, and dyers with institutions -such as museums- at a local\, national\, and international level. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n  \n For questions regarding the talk \nContact us at pilarbrooks@g.ucla.edu \nTo view recordings of previous talks\, please visit the Cotsen Youtube page \nAs a land grant institution\, the faculty and administration at UCLA acknowledge the Gabrielino/Tongva peoples as the traditional land caretakers of Tovaangar (Los Angeles basin\, South Channel Islands). \n  \n\nFor more information about the The UCLA/Getty Interdepartmental Program in the Conservation of Cultural Heritage\, visit conservation.ucla.edu.\n 
URL:https://conservation.ucla.edu/event/a-handmade-present-weaving-opportunities-at-the-museo-textil-de-oaxaca/
LOCATION:Live Streaming via Zoom
CATEGORIES:Conservation Conversation Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250321T110000
DTEND;TZID=America/Los_Angeles:20250321T120000
DTSTAMP:20260417T052710
CREATED:20250310T024114Z
LAST-MODIFIED:20250310T024114Z
UID:10000067-1742554800-1742558400@conservation.ucla.edu
SUMMARY:Off the Mount: A Discussion on Activating Objects and Belongings
DESCRIPTION:Title: Off the Mount: A Discussion on Activating Objects and Belongings\nEvent Date: Friday\, March 21\, 2025 at 11 a.m. (PT)\nEvent Location: Wherever your zoom-compatible device is located\nPresenters: Heidi Swierenga and Karen Duffek\nRSVP HERE \n\nAbstract\n\n\nThe Calls to Action issued by Canada’s Truth and Reconciliation Commission have challenged museums to address the United Nations Declaration on the Rights of Indigenous Peoples (UNDRIP) directive that Indigenous peoples have the right to maintain\, control\, protect and develop their cultural heritage. This talk will look at how First Nations regalia housed at MOA continues to express family-owned rights\, how community members are choosing to activate their ancestral belongings at the site of the museum and outside its walls\, and how museums and conservation are changing as a result. The experiences presented will also show how the conservation and curatorial disciples intersect to promote and support Indigenous-led initiatives and research at MOA. \n\n\n  \nAbout the Presenters: Heidi Swierenga and Karen Duffek\n\n\nHeidi Swierenga is Senior Conservator and Head of the Collections Care\, Management and Access Department at MOA. She is also an associate in the Department of Anthropology where she teaches conservation. Her practice and research focus on the use and activation of Indigenous belongings that are held in collections and the role that the conservation profession plays in facilitating these activities. She is also one of the instigators and Steering Committee member of the British Columbia Emergency Heritage Emergency Response Network (BCHERN)\, an organization that provides salvage training and resources to the galleries\, museums and archives sector in BC. \n\n  \n  \nKaren Duffek is the Curator of Contemporary Visual Arts and Pacific Northwest at MOA. Committed to supporting the activation of Northwest Coast Indigenous collections inside and outside the museum\, she focuses her research\, exhibitions\, and publications on the relationships between historical and contemporary art practices\, museum collections\, communities\, and art markets. \n  \n  \n  \n\n\n\nFor questions regarding the talk\nContact us at pilarbrooks@g.ucla.edu\n\n\nTo view recordings of previous talks\, please visit the Cotsen Youtube page \nAs a land grant institution\, the faculty and administration at UCLA acknowledge the Gabrielino/Tongva peoples as the traditional land caretakers of Tovaangar (Los Angeles basin\, South Channel Islands).\n\n\n\n\nFor more information about the The UCLA/Getty Interdepartmental Program in the Conservation of Cultural Heritage\, visit conservation.ucla.edu.
URL:https://conservation.ucla.edu/event/off-the-mount-a-discussion-on-activating-objects-and-belongings/
LOCATION:Live Streaming via Zoom
CATEGORIES:Conservation Conversation Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20241122T160000
DTEND;TZID=America/Los_Angeles:20241122T170000
DTSTAMP:20260417T052710
CREATED:20241113T173825Z
LAST-MODIFIED:20241113T191011Z
UID:10000065-1732291200-1732294800@conservation.ucla.edu
SUMMARY:Ancient Chinese lime-based building materials: Its archaeometric studies and conservation materials development
DESCRIPTION:  \nTitle: Ancient Chinese lime-based building materials: Its archaeometric studies and conservation materials development \nPresenter: Xiao Ma \nEvent Date: Friday\, November 22\, 2024 at 4 p.m. (PT) \nEvent Location: Wherever your zoom-compatible device is located \nRSVP HERE \n\n\n\n\n\n Abstract: From a material perspective\, there were two types of materials involved in the studies of cultural heritage artifacts: The first type is the ancient materials themselves\, on which the value of the cultural heritage artifacts depends\, and the other type is the modern materials (conservation materials) used to help ancient materials retain some of the original properties\, such as structure\, shape\, color\, and mechanical performance. While conservation materials aim to preserve ancient materials\, the characterization of ancient materials plays a key role in informing the development of conservation materials. In this talk\, Xiao will use ancient Chinese lime-based building materials as an example to illustrate how the two types of materials are studied/developed simultaneously for Dazu Rock Carvings\, a World Heritage Site located in Chongqing\, China. Xiao will dive deep into the characterization of Dazu Rock Art’s lime mortar material and the development of lime-based grouting materials for long-term preservation.\nSpeaker Bio: Xiao Ma \nXiao Ma is a Full Professor at The School of History of Science and Scientific Archaeology at the University of Science and Technology of China. He holds a Ph.D. in Materials Science and Engineering from the University of California\, Los Angeles (UCLA)\, an M.S. in Materials Engineering from Purdue University\, and a B.S. from Huazhong University of Science and Technology. His research mainly focuses on cultural heritage conservation science\, including technological history studies of ancient building materials\, the development of conservation materials for ancient building materials\, as well as degradation mechanisms of cultural heritage materials. Xiao has worked in esteemed conservation and scientific research institutions such as Getty Conservation Institute\, the Smithsonian Institution’s Museum Conservation Institute\, National Gallery of Art\, and the National Institute of Standards and Technology. He has been honored with awards such as the Ralph C. Altman Award\, R.E. Taylor Best Poster Award\, Martin J. Aitken Best Poster Award\, and Sidney S. Williston Memorial Fund Award\, etc. His work in cultural heritage conservation science has been published in top journals including Angewandte Chemie International Edition\, Analytical Chemistry\, Construction and Building Materials\, etc. He has been sponsored by various funding agencies\, such as Ministry of Science and Technology\, National Cultural Heritage Administration\, National Natural Science Foundation of China\, etc.\n\n  \n\nFor questions regarding the talk\nContact us at cwliu98@g.ucla.edu\n\n\nTo view recordings of previous talks\, please visit the Cotsen Youtube page \n\nAs a land grant institution\, the faculty and administration at UCLA acknowledge the Gabrielino/Tongva peoples as the traditional land caretakers of Tovaangar (Los Angeles basin\, South Channel Islands).\n\n\n\n\nFor more information about the The UCLA/Getty Interdepartmental Program in the Conservation of Cultural Heritage\, visit conservation.ucla.edu.
URL:https://conservation.ucla.edu/event/ancient-chinese-lime-based-building-materials-its-archaeometric-studies-and-conservation-materials-development/
LOCATION:Live Streaming via Zoom
CATEGORIES:Conservation Conversation Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240531T110000
DTEND;TZID=America/Los_Angeles:20240531T120000
DTSTAMP:20260417T052710
CREATED:20240510T024226Z
LAST-MODIFIED:20240510T024226Z
UID:10000121-1717153200-1717156800@conservation.ucla.edu
SUMMARY:Exploring Sustainable Conservation Practices: Insights from the Museum of Archaeology and Ethnology (MAE-USP).
DESCRIPTION:Title: Exploring Sustainable Conservation Practices: Insights from the Museum of Archaeology and Ethnology (MAE-USP). \nPresenter: Ana Carolina Delgado Vieira \n\n\nEvent Date \nFriday\, May 31st\, 2024 at 11 a.m. (PT) \nEvent Location \nWherever your zoom-compatible device is located \n\nRSVP HERE \n\n\nAbstract: For decades\, ethnographic museums have treated their collections with pesticides. To preserve organic objects\, these institutions used DDT\, pentachlorophenol\, hexachlorobenzene\, and paradichlorobenzene\, among other common chemicals.\n\nDue to environmental and health concerns\, the use of pesticides in museums became less appropriate in the late 20th century. \nCurrently\, the Museum of Archaeology and Ethnology (MAE-USP) is using ionizing radiation to treat objects affected by insects. \nAs well as discussing the factors that influenced the selection of this technique\, this presentation highlights the importance of a partnership with the Institute of Energy and Nuclear Research (IPEN) as one of the major contributors to the renewal of traditional gears in ethnographic museums such as MAE-USP. \n\nSpeaker Bio: Ana Carolina Delgado Vieira \nAna Carolina Delgado Vieira holds a bachelor’s and master’s degree in history from the University of São Paulo (USP) in Brazil.  She holds a certificate in conservation from the Templo da Arte in São Paulo\, Brazil and the Yachaywasi Institute of Conservation in Lima\, Peru\, specializing in archaeological and ethnographic materials.Since 2008\, she has been a conservator at the Museu de Arqueologia e Etnologia (MAE-USP). Her responsibilities include conducting condition surveys of collections and items\, performing conservation treatments\, and preparing items for exhibition\, loan\, move\, and research. Since 2013\, she has been the head of the conservation laboratory.Her research interests include interdisciplinary collaboration\, indigenous participation\, and how conservators can work collaboratively with indigenous collection originators and descendants to reframe ethnographic traditional museums.Currently\, she is a PhD candidate at the Nuclear and Energy Research Institute (IPEN-CNEN/SP) of the University of São Paulo\, where she is researching the use of ionizing radiation to preserve cultural heritage.\n\n  \nFor questions regarding the talk\nContact us at mmrawlins@g.ucla.edu or ckcaraway229@g.ucla.edu\n\n\nTo view recordings of previous talks\, please visit the Cotsen Youtube page \n\nAs a land grant institution\, the faculty and administration at UCLA acknowledge the Gabrielino/Tongva peoples as the traditional land caretakers of Tovaangar (Los Angeles basin\, South Channel Islands).
URL:https://conservation.ucla.edu/event/exploring-sustainable-conservation-practices-insights-from-the-museum-of-archaeology-and-ethnology-mae-usp/
LOCATION:Live Streaming via Zoom
CATEGORIES:Conservation Conversation Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240308T110000
DTEND;TZID=America/Los_Angeles:20240308T120000
DTSTAMP:20260417T052710
CREATED:20240222T044951Z
LAST-MODIFIED:20240222T050021Z
UID:10000120-1709895600-1709899200@conservation.ucla.edu
SUMMARY:Lessons from La Frontera: Conserving Earthen Architecture in the U.S./Mexico Borderland
DESCRIPTION:Title: Lessons from La Frontera: Conserving Earthen Architecture in the U.S./Mexico Borderland \nPresenter: Alex B. Lim \nEvent Date \nFriday\, March 8th\, 2024 at 11 a.m. (PT) \nEvent Location \nWherever your zoom-compatible device is located \nRSVP Link \n\nDescription: The Sonoran Desert has been home to diverse cultures. Many tangible remains of the interactions between the landscape and the peoples undergo various stages of decay. In this talk\, the author will share his thoughts on conserving the fragile heritage as a newcomer to the region. He will then elaborate on how his border experience has shaped his understanding of American culture and his role as an architectural conservator. \n\n  \n  \n\n\nPRESENTER: Alex B. Lim\n\n\n\nAlex B. Lim specializes in the conservation of architecture and archaeological sites and is based in Arizona. Through close working relationships with indigenous people\, he has insights into and appreciation for sustainable and intangible conservation practice that is particularly needed in times of climate change as traditional societies experience pressure for continuity as well as adaptation. Since 2012\, he has worked on conserving earthen buildings and their remains in the border region of the U.S.- Mexico\, focusing on Hispanic and Native American heritage on both sides of the border. He is particularly engaged with Tohono O’odhams\, Pascua Yaquis and Comcaacs (Seris)\, who all call the Sonoran Desert their home. In 2009\, he won an outstanding thesis award for his study on the use of soil and vegetation to protect the exposed masonry wall tops at archaeological sites as a sustainable alternative to crack-prone cementitious hard caps. His method\, developed during his time at the Center for Architectural Conservation at the University of Pennsylvania\, was applied at the archaeological site of Gordion\, Turkey with the help from the local community. He regularly initiates public outreach through hands-on workshops\, tours\, and internship programs to advocate for heritage stewardship. Prior to Arizona\, he has worked on archeological sites of the arid climate in the U.S. Southwest and in the Mediterranean/Middle East. He holds MS in historic preservation from the University of Pennsylvania and BA in natural sciences from the Johns Hopkins University. \n\n  \nFor questions regarding the talk\nContact us at mmrawlins@g.ucla.edu or ckcaraway229@g.ucla.edu\n\n\nTo view recordings of previous talks\, please visit the Cotsen Youtube page \n\nAs a land grant institution\, the faculty and administration at UCLA acknowledge the Gabrielino/Tongva peoples as the traditional land caretakers of Tovaangar (Los Angeles basin\, South Channel Islands).
URL:https://conservation.ucla.edu/event/lessons-from-la-frontera-conserving-earthen-architecture-in-the-u-s-mexico-borderland-2/
LOCATION:Live Streaming via Zoom
CATEGORIES:Conservation Conversation Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231201T110000
DTEND;TZID=America/Los_Angeles:20231201T110000
DTSTAMP:20260417T052710
CREATED:20231116T174147Z
LAST-MODIFIED:20231116T175506Z
UID:10000119-1701428400-1701428400@conservation.ucla.edu
SUMMARY:Toxic Heritage in Museum Collections – History\, Impact and Mitigation of Pesticides
DESCRIPTION:Toxic Heritage in Museum Collections – History\, Impact and Mitigation of Pesticides\n\n\nEvent Date: Friday\, December 1\, 2023 at 11 a.m. (PT)\n\n\nPresenter: Helene Tello\n\nRSVP Link\n\nThe use of pesticides in museum collections at the end of the 19th and the beginning of the 20th century will be discussed in the socio-political context of Germans history. Embedded in the formation of nation states\, the First World War\, industrialization\, and the subsequent hygiene movement\, museums fought with various active ingredients and agents against the decay of their objects by harmful insects. Appearing as small self-contained institutions\, they relied heavily on outside support. The Ethnological Museum in Berlin (EM)\, with its cultural-political significance\, and geographical location\, is ideally suited as a case study. There\, an extensive collection policy led to completely overcrowded storages and exhibition halls\, where harmful insects found plenty of food at the objects made of organic materials. As a consequence\, individuals\, scientific institutions\, and a booming industry were feverishly searching for active ingredients and agents for combating harmful pests. The former staff at the EM began networking nationally and internationally to stop the infestation in the collections. But the most innovative and revolutionary technological aid came from Sweden\, where a plant for mass fumigation of insect pests\, specially constructed for museum facilities\, was invented. It was spread to Germany and throughout Europe in the further course. This presentation on the history of conserving cultural assets against harmful pests complements our knowledge on the preservation of museum objects as well as on the assessment of human-toxic hazards that emanate from the formerly introduced active ingredients and agents in the collection’s objects. The presentation also refers to the various efforts to develop methods and technologies to remove or mitigate toxic substances from objects with organic materials.\n  \nPRESENTER \nHelene Tello \nHelene Tello is working since 2020 as a freelance senior conservator. Starting her career in 1980\, she opened her own conservation studio in 1983. Then she moved on to the Vonderau Museum in Fulda\, Germany. Subsequently\, she looked after the Indian collections at the Ethnologisches Museum of the Staatliche Museen zu Berlin (Ethnological Museum of the National Museums in Berlin)\, Germany\, from 1998 to mid-2020. There\, she encountered the topic of pesticides formerly used on objects. She conducts research on decontamination methods of such treated cultural assets as well as safe handling of them for everyone who has to deal with it. Due to the opening of museum collections to indigenous people\, who started collaborating with the museums as well as repatriating their own cultural assets\, her many years of expertise are extremely important in our time. Her knowledge is spread out through numerous journal contributions\, teaching activities and lectures at home and abroad. Helene Tello will be researching on the Native American Grave Protection and Repatriation Act (NAGPRA) from May to October 2024 as part of her Fulbright scholarship at the University of California in Los Angeles (UCLA). This takes place against the background of the debates on neocolonialism that have arisen in Germany and Europe and the demands of indigenous people on museums for collaboration and restitution of their cultural assets. \nRSVP Link \n  \nFor questions regarding the talk\nContact us at mmrawlins@ucla.edu\nor ckcaraway229@g.ucla.edu \n 
URL:https://conservation.ucla.edu/event/toxic-heritage-in-museum-collections-history-impact-and-mitigation-of-pesticides/
LOCATION:Live Streaming via Zoom
CATEGORIES:Conservation Conversation Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231116T110000
DTEND;TZID=America/Los_Angeles:20231116T120000
DTSTAMP:20260417T052710
CREATED:20231108T203900Z
LAST-MODIFIED:20231108T203900Z
UID:10000118-1700132400-1700136000@conservation.ucla.edu
SUMMARY:Replicas As Tools For  Feather Preservation
DESCRIPTION:Dra. María Olvido Moreno Guzmán\, Independent Researcher  \nRenée Riedler\, Weltmuseum Wien \nCarlos Barrera Reyes\, Na Bolom Museum \nNovember 16th 11:00-12:00 PDT \nRSVP Here \nIn the National Museum of Anthropology of Mexico\, valuable 20th century replicas of unique feather objects are permanently exhibited in the Mexica Hall. This conservation-education strategy of creating replicas dates to 1938\, originally serving educational purposes and has developed into a vital support for conservation efforts. \nWe are pleased to invite you to this webinar hosted by Ellen Pearlstein\, Professor at UCLA\, as she discusses the preservation and conservation of these feathers with Dr. Maria Olvido Moreno Guzman\, Renée Riedler\, and Carlos Barrera Reyes. \nPlease RSVP by Wednesday\, November 15th. \nInvitation PDF \n  \nImage Credit: Olvido Moreno Guzmán \nImage Credit: Enrique Pérez \n 
URL:https://conservation.ucla.edu/event/replicas-as-tools-for-feather-preservation/
LOCATION:Live Streaming via Zoom
CATEGORIES:Conservation Conversation Series
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